POOLS - PlayStation VR2
POOLS - PlayStation VR2 Available to Order
🛡️ Age Rating: PEGI 12
This product has been classified as PEGI 12, meaning it is considered suitable for players aged 12 years and over.
Games with a PEGI 12 rating may include more realistic violence towards fantasy characters, non-realistic violence towards human-like characters, mild bad language, or mildly suggestive themes.
Age ratings are assigned by the Pan-European Game Information (PEGI) system to help consumers make informed purchasing decisions.
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POOLS - PlayStation VR2
POOLS - PlayStation VR2 Available to Order
- Description
One could say POOLS is like an art gallery where you look around and listen to the sounds. Very few things to accomplish or solve, practically a few mazes. Sometimes POOLS can challenge your navigation skills. But mostly you're just... there.
Note: There are no monsters chasing you or jumping suddenly towards you, but the game can feel oppressive. POOLS plays on fears of getting lost, the dark, and tight spaces.
The game has no user-interface and no dialogue. No background music. Instead, the game uses sounds to make you feel like you're really there. The sounds and echoes change depending on the room you're in. Walking in water is slower. All of these things make the game feel more real and create a tense atmosphere.
There's no typical story, no characters to meet, and you won't find any notes in-game. But as you explore and advance further, you start to notice that the game's world changes around you. Rooms look and feel different. Each chapter has something unique. Constantly you're exploring new places, each with its own kind of mystery.
The base game has six unique chapters, each taking 10 to 30 minutes to play.
POOLS is inspired by internet phenomena "Liminal spaces", "Found footage", and "Backrooms" - specifically "Backrooms Pools" or "Poolrooms".
One of the original artists behind the Poolrooms concept is Jared Pike.Other inspirations include Matt Studios Poolrooms videos from 2022, Mortain Colors, Anemoiapolis by Andrew Quist, and Kane Pixels: The Backrooms.
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